At this week’s OTT Question Time (Thursday 30^th Sept, 4pm UK) we talked about the supercharged growth of the children’s OTT market over the past few years. Absolutely, some of that expansion can be accounted for by more kids having been at home, for longer, during the pandemic but what’s …

It’s sounds like the start of a riddle: what part of OTT UIs do you most use but hardly ever notice? Answer: online video players!

Online video players have a gossamer quality about them in that they’re both visible and not. They’re the main way – the only way – that …

A CMS – a content management system – does exactly what it says on the tin, right? It’s a system for managing content. But when it comes to streaming services, and looking at how content interfaces with both their back and front-ends, what is the scope of an OTT CMS? …

One of the best things about linear TV is the sense of a shared experience – of watching, for example, an international football tournament with family or friends and then celebrating (or in England’s case, commiserating!) together. Of tuning in to a worldwide event like the finale of Game of …

Despite the resilience and stability of the infrastructure, the defined quality of the output, the guaranteed geographical coverage for audiences, and the decades of client and supply chain experience built up in the process, there was always going to come a time when it became cheaper to deliver content via …

If you’ve ever found yourself confused about content rights, you’re not alone. I’ve been working in OTT since 2005 and I still don’t really understand why, for example, the Tom Holland Spiderman movies aren’t on Disney+ (Disney owns Marvel, right?), why I can’t find the 2019 season of Masterchef UK, …

Following the huge upheaval in the television and OTT advertising market last year, broadcasters and AVOD service-providers are now cautiously optimistic about the prospects for recovery and growth. ITV, for example, reported that its total ad revenue was down 11% in 2020 despite a 17% rise in VOD advertising. The …

Consolidation isn’t new in the OTT industry – think AT&T and Time Warner (2018) or Comcast and Sky (also 2018) – but the last couple of weeks has seen a flurry of activity including the AT&T / Discovery deal, the acquisition of MGM by Amazon and the coming together of …

Whatever date we choose – 2005 when YouTube went live, Christmas Day 2007 when the BBC iPlayer launched, or even 2004 and my own first experience of on-demand video via a classic Homechoice set-top box – it’s safe to say that VOD was born into a linear world. For older …

Whether we’re consciously aware of it or not, metadata makes the OTT world go round. Technical metadata powers the distribution of video files, integrates them with asset management systems, enforces digital rights and renders them perfectly on viewer’s screens. Editorial metadata, on the other hand, makes content discoverable in VOD …