Kauser Kanji

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I’ve been in bed most of the weekend and today (Monday) with what is almost certainly a regular cold. I am a man, however, and famously we don’t get colds. No. We get man-flu.

While the symptoms are virtually the same, our responses – or at least mine – are dramatically (and that is the operative word here) different. I’ve, variously, been:

  • In a fever dream. This usually manifests in the feeling that I’m running on the spot, replaying an image or an idea again and again as if in some kind of purgatory. This time, on repeat, I heard a guitar chord and Sheryl Crow singing, “This ain’t no disco; it ain’t no country club either. This is LA.” (All I Wanna Do is Have Some Fun)
  • Defiant. “Stand aside at once,” says Claire to a room full of hirsute 18th century Scotsmen (Outlander, Episode 1, Season 1)
  • Pathetic. I pictured Lord Byron lying on a chaise-longue, hand over his head. I got the guy from the BBC’s Ghosts instead.

And now, on the mend.

When I was lucid, as I may possibly be now, I watched some TV. I say TV, I mean… what do I mean? What’s the collective noun for streaming platforms? I watched some streams? Eesh. That doesn’t sound right. I watched some TV online? Not exactly pithy but better.

Oh dear. Twenty years in the industry and I still don’t know what to call it…

Anyway.

I watched some TV and, despite my limited Man-Flu attention span, I had some random thoughts that may actually be useful to someone sometime. (“Stay alive, I will find you,” – Last of the Mohicans.)

Amazon Prime: the One-Stop Shop

Amazon Prime has everything. Everything. It’s like the Ark but instead of two-by-two there’s the whole zoo.

SVOD, AVOD, tiered-SVOD, PVOD, TVOD, PPV. Rent, buy, box sets. Channel subscriptions. FAST. Live TV.

Not all the FAST and not all the live but hey, who does? (Note to self: YouTube? Maybe YouTube. Yeah, okay.)

The challenge Prime has now is around hierarchies, nomenclature, presentation.  Starting back to front:

Presentation

With so many content types, from so many sources, how do you display it so that it makes sense to all the different groups of users (casual browsers through to committed Amazonians)? Prime’s answer seems to be to go all in on rails.

Click on “Subscriptions”, for example, and the page starts with a Hero carousel. Fair. And then lots of rails, a la Netflix, that come in various flavours: Top 10 with Subscriptions; Apple TV+ Most Popular; Crime+Investigation: Recently Added.

It’s good. Topical. Recent. Horizontal.

Problem is all that content, up, down, side to side, gets lost. Who has which shows again? And if there’s an understood ATL/BTL primacy in terms of positioning, there’s surely one on the left-right axis?

And this is Amazon – the uber-lords of recommendation. If you’ve ever read the patent for their recommendation engine, they take this shit seriously for retail. Where’s the super-personalised OTT equivalent?

In a time of incremental growth (the idea of which I’ll revisit in a later post) and incipient paradigm shifts (see below), there are better ways.

(Amazon execs: (finger to chin) call me.)

Nomenclature

Movies, TV Shows, Sports, Live TV, Prime, MGM+, Subscriptions. That’s what my top-nav reads and it’s perfectly passable. I am, after all, a linear guy who got used to – since circa 2003 – the world of on-demand. (Via a Homechoice set-top box. Jesus, it’s so old/iconic that there’s a Science Museum entry about it.)

But do <25 year olds get it? Sure they do, no?

The labels fit but does the impulse? Because isn’t what you want in the moment the biggest motivation when it comes to watching (content recommendation vendors, feel free to chip in)?

I want a 90-min thriller that will have me on the edge of my seat. I want to binge the latest Bridgerton and live in the past tonight. I want 90-second shorts that kill me emotionally.

If 16-34s are the biggest growth market, they need to be addressed, engaged, served better.

Hierarchies

A few years ago, I was hired by Netflix to conduct a bunch of focus groups in the US. How would the audience react, they wanted to know, if Netflix was voice-controllable?

We arranged what we would end up calling “The Wizard of Oz experiments”. In each case we had a couple, or a family of subjects, in a living room environment: a sofa, chairs, a TV etc.

In Scenario #1, the subjects would address the TV (aka Netflix) with a command. E.g. “play episode 1, House of Cards”. Netflix – yeah, Netflix – would respond with silence but load up and play the episode.

In Scenario #2, the subjects might give a similar command but this time Netflix (my colleague, sitting behind a curtain) would respond by simply repeating the request before commencing playback: “… playing episode 1, House of Cards,”. 

In the final, most advanced, scenario, Netflix (my colleague) would respond with a naturalistic conversation (remember, this was in the days that even Siri couldn’t even do that – if, indeed, it can now).

It might go something like this:

[Subjects] Play episode 1 House of Cards

[Netflix] Do you mean episode 1, Season 1, House of Cards?

[Subjects] No, the one where she was about to get out of jail.

[Netflix] Ah, you mean episode 1, Season 2 –

[Subjects] Yeah, that’s the one…

Unsurprisingly, on the request-response-reward matrix we created afterwards (leaning in to Daniel Kahneman), our focus groupies (is that the right word?) favoured Scenario #3.

I tell this story because even within a single service – Netflix – the voice-control workflow was complicated enough to imagine, let alone execute. So what happens when you layer that onto a multi-service platform like Prime Video?

Take a simple example. Inside Prime, you might subscribe to ITVX, MGM+, and Paramount+. Using voice control, you say: “Play Mission: Impossible 4.” The movie’s available inside Paramount+’s walled garden. Coincidentally, it’s also just aired on ITV1, so it’s sitting on ITVX. Or you could rent it directly from Prime.

From a revenue perspective, Prime would obviously prefer the rental. So which result should it prioritise? How does it rank or present those options?

Hmm. I need to do some more thinking about this when my head’s clearer. And I should probably talk to Amazon.

It’s a live topic – voice control is about to become a real thing for OTT. And with LLMs now in the mix, every platform provider will be revisiting their approach (if they aren’t already).

Enough. I was going to talk about iPlayer, NOW and YouTube in this post too but they’ll have to wait for another time. Back to sleep.

See you next week.

ABOUT KAUSER KANJI

Kauser Kanji has been working in online video for 20 years, formerly at Virgin Media and NBC Universal, and founded VOD Professional in 2011. He has since completed major OTT projects for, amongst others, A+E Networks, the BBC, BBC Studios, Channel 4, DR (Denmark), Liberty Global, Netflix, Sony Pictures, the Swiss Broadcasting Corporation and UKTV. He now writes industry analyses, hosts an online debate show, OTT Question Time, as well as its in-person sister event, OTT Question Time Live

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