HomeCategory Streaming Wars

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Earlier this month I suggested that the Streaming Wars should more accurately be described as the Streaming Skirmishes because although this wasn’t a winner-takes-all scenario, and that multiple SVOD services could happily coexist, even if (hypothetically) one champion emerged they’d still then need to tackle the wider threats for attention and eyeballs from editorial, gaming, social, real-life experiences and eventually, AR / VR. 

It’s still fun to play the game, however, and try to address

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It’s tempting to think of The Streaming Wars as a zero sum game in which, based on market caps, we can imagine a scenario where, for example, Disney buys Netflix, Comcast merges with NBCU and Amazon and Apple then vanquish or acquire those houses, claim allegiances, and duke it out for the Iron Throne (trademarked by WarnerMedia). Huzzah!

The true picture is, of course, much more nuanced. On a micro level, rights issues, pay models

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The Over-the-Top (OTT) video market will surpass US$200 billion by 2024, with 90% of that value fueled by subscription and advertising revenue, according to a new report by global tech market advisory firm, ABI Research.

New services like Disney+ and Apple TV+, coupled with aggressive pricing and packaging, and continued expansion by incumbents are pushing the Subscription Video on Demand (SVOD) market to new heights. Subscriptions in the Asia-Pacific region have grown significantly, driven

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Netflix today celebrates the opening of its new Paris office in the heart of the 9th arrondissement. This new office reflects Netflix’s long-term commitment to France’s creative community, including over 20 French productions in 2020.

Netflix’s French HQ: dedicated to the creative community

Located in the heart of Paris, the French HQ is Netflix’s fourth office in Europe. Netflix France currently employs 40 people, across films and series, partnerships and marketing.

“It is a real

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VOD Professional contains news, reviews, interviews and analyses from the future of TV. Online video is at a pivotal moment in its evolution and our focus is on writing about monetisation, product development and the people – from service-providers and vendors alike – who help bring brilliant content and services to our screens.

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